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ero guro : ウィキペディア英語版
ero guro
is a literary and artistic movement originating c. 1930 in Japan.〔Silverberg, Miriam Rom. “By Way of a Preface: Defining ''Erotic Grotesque Nonsense''”. Galley copy of the preface for ''Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times''. December 12, 2005.〕 Ero guro puts its focus on eroticism, sexual corruption and decadence.〔 While ero guro is a specific movement, many of its components can be found throughout Japanese history and culture.
The term itself is an example of ''wasei-eigo'', a Japanese combination of English words or abbreviated words: ''ero'' from "ero(tic)", ''guro'' from "gro(tesque)", and ''nansensu'' from "nonsense".
In actuality the "grotesqueness" implied in the term refers to things that are malformed, unnatural, or horrific.〔 Items that are pornographic and bloody are not necessarily ''ero guro'', and ''ero guro'' is not necessarily pornographic or bloody. The term is often used incorrectly by western audiences to mean "gore"—depictions of horror, blood, and guts.
==History==
Ero guro nansensu, characterized as a "prewar, bourgeois cultural phenomenon that devoted itself to explorations of the deviant, the bizarre, and the ridiculous," manifested in the popular culture of Taishō Tokyo during the 1920s. Writer Ian Buruma describes the social atmosphere of the time as "a skittish, sometimes nihilistic hedonism that brings Weimar Berlin to mind."〔 Its roots go back to artists such as Tsukioka Yoshitoshi, who, besides erotic shunga, also produced woodblock prints showing decapitations and acts of violence from Japanese history. Ukiyo-e artists such as Utagawa Kuniyoshi presented similar themes with bondage, rape and erotic crucifixion.
Ero guro's first distinct appearance began in 1920s and 1930s Japanese literature. The Sada Abe Incident of 1936, where a woman strangled her lover to death and castrated his corpse, struck a chord with the ero guro movement and came to represent that genre for years to come. Other like activities and movements were generally suppressed in Japan during World War II, but re-emerged in the postwar period, especially in manga and music.〔McLelland, Mark. ("A Short History of '''Hentai'''" ).〕
Over time, the ero guro movement's influence expanded into parts of Japanese theatre, art, manga, and eventually into film and music.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「ero guro」の詳細全文を読む



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